as "an obvious bow to the Society's interests" (Feb 1984, 46).

Harlan Jacobson, 1982-1990

* The magazine continued to arrange every issue around a midsection that tackled multifaceted issues of film aesthetics, historiography, and various phenomena in film culture. It also maintained a strong commitment to exploring classical Hollywood, even as it broadened the international scope of its criticism with features on Iranian and "Far Eastern" cinema.

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