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inclusion of all the major art forms: painting, writing, music, etc. (Britannica). In devising operatic works to commandeer the audience's senses, Wagner left nothing unobserved: architecture, ambience, and even the audience itself were considered and manipulated to achieve a state of total artistic immersion. In the book "Themes in Contemporary Art", it is suggested that "installations in the 1980s and 1990s were increasingly characterized by networks of operations involving the interaction among complex architectural

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