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Cinema, Export inverts the sight-dependent functions of film and substitutes the "pleasure" of vision for physical touch. Instead of presenting a sexualized female body to be viewed, Export solicits physical contact. The "audience", actively participating in the performance, had direct, face-to-face contact with Export's body in the public sphere. The media responded to Export's provocative work with panic and fear, one newspaper comparing her to a witch. Export recalled, "There was a great campaign against

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