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published in 1088, Shen Kuo criticized contemporary Chinese scholars for attributing ancient bronze vessels as creations of famous sages rather than artisan commoners, and for attempting to revive them for ritual use without discerning their original functionality and purpose of manufacture. Such antiquarian pursuits waned after the Song period, were revived in the 17th century during the Qing dynasty, but were always considered a branch of Chinese historiography

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