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(1615) to his supreme and dynamic Apollo and Daphne (1622-25) and David (1623), considered seminal works of baroque sculpture. In addition, the gallery contains three busts, two of Pope Paul V (1618-20) and one marvellously conversive and stunningly innovative portrait of his patron, Borghese (1632). Finally it has some early, somewhat mannerist, but masterful works such as

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