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or unpopular subjects, such as conscientious objection in Tu ne tueras point (1961), and abortion in Journal d'une femme en blanc (1965) and Nouveau journal d'une femme en blanc (1966). Other later films however were perceived as expressing an "aggressive vulgarity" and a kind of "poujadism which confirmed his drift into sneering populism". He became increasingly bitter towards his critics and the producers

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