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<p><a href="page.php?w=plagal_cadence">plagal cadence</a>). Goldman concurs with Nattiez, who argues that "the chord on the fourth degree appears long before the chord on II, and the subsequent final I, in the progression I-IV-vii<sup>o</sup>-iii-vi-ii-V-I", and is farther from the tonic there as well. (In this and related articles, upper-case Roman numerals indicate major triads while lower-case Roman numerals indicate minor triads.)</p>

<p><big>Circle closure in non-equal tuning systems</big></p>
<p>Using the exact 3:2 ratio of frequencies to define a</p><p>
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