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led by professor Mary Miller began The Bonampak Documentation Project, which included making an even more detailed study, photographic record, and reproductions of the murals. These reproductions, completed by artists Heather Hurst and Leonard Ashby, bring to life many details, thanks to infrared photographs, that can no longer be seen with the naked eye. Most saliently, the images captured many glyphs that were previously unknown, lost either to natural erosion, or due to the many failed attempts at preservation, some of which did far more damage

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