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<p>a piece as anything ever done in the blues".</p>

<p><big>Recording and release</big></p>
<p>In September 1948, Besman arranged recording sessions for Hooker at United Sound studios in Detroit.  Several songs were recorded with Hooker's vocals and amplified guitar.  To make the sound fuller, a microphone was set up in a <a href="page.php?w=pallet">pallet</a> that was placed under Hooker's foot.  According to Besman's account, a primitive echo-chamber effect was created by feeding Hooker's foot-stomp rhythm into a speaker in a toilet bowl, which in turn</p><p>
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