reality towards an accommodation of female needs." This statement directly related her own work to the progress of empowering women.

Export's 1973 short film, Remote, Remote exemplifies the painful ramifications of the female body conforming to societal standards. In this piece she digs at her cuticles with a knife for twelve minutes, representing the damage societal beauty standards inflict on the female body.

Based on the precepts laid out in her 1972 manifesto, Export curated an exhibition

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