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<p>he developed a complex style of expressive--and often <a href="page.php?w=Imitation_%28music%29">imitative</a>--movement between independent voices (<a href="page.php?w=polyphony">polyphony</a>) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy <a href="page.php?w=melisma">melisma</a>tic lines on a single syllable, preferring to use shorter, repeated <a href="page.php?w=Motif_%28music%29">motif</a>s between voices. Josquin was a singer,</p><p>
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