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<p><a href="page.php?w=Birth_of_the_Cool">Birth of the Cool</a> sessions and his work with pianist <a href="page.php?w=Lennie_Tristano">Lennie Tristano</a>. He was one of relatively few alto saxophonists of this era to retain a distinctive style, when <a href="page.php?w=Charlie_Parker">Charlie Parker</a> exerted a massive influence. Like other students of Tristano, Konitz improvised long, melodic lines with the rhythmic interest coming from odd accents, or odd note groupings suggestive of the imposition of one time signature over another. Other</p><p>
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