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prepared first) resemble Johnston quite closely, the archives document Gill (and the drawing office team at Monotype's works in Salfords, Surrey, who developed a final precise design and spacing) grappling with the challenge of creating a viable humanist sans-serif lower-case as well as an italic, which Johnston's design did not have. Gill's first draft proposed many slanting cuts on the ends of ascenders and descenders (resembling

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