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was scheduled, the director of the radio prohibited it for strong anti-religious and anti-American reasons. The piece consists of intensive texts with interludes of instrumental and vocal improvised sounds and screams. Allen S. Weiss writes about Antonin Artaud's scream: "the scream is the expulsion of an unbearable, impossible internal polarization between life's forces and death's negation, simultaneously signifying and simulation creation and destruction [...]

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