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work the critic Roberto Longhi suggested [in Officina ferrarese, 1934] he may have seen in Florence before 1500). To his Roman years belong at least two collections of drawings, the "Parma Notebook" (Taccuino di Parma) and the Wolfegg Codex. In Bologna in 1504, he joined Francia and Costa in painting frescoes for the Oratory of Santa Cecilia next to San Giacomo Maggiore, a work commissioned

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