style, and it complied with the Exposition's Board of Architects' overall plan for the exhibition, called the Free Renaissance style. Like most of the major structures at this World Fair, the Temple of Music was extensively electrified, both internally and externally.

Style

The Temple's dome rose 180 feet (54.86 m) above the ground floor and the hall itself had seating for over 2,000 people. According to Chuck LaChiusa, a Buffalo native and retired City

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