there was I. Baudoin's Fables d'Ésope Phrygien (1631) and Matthieu Guillemot's Les images ou tableaux de platte peinture des deux Philostrates (1637). In England, there was Francis Cleyn's frontispiece to John Ogilby's The Fables of Aesop and the much later frontispiece to Godwin's Fables Ancient and Modern mentioned above in which the fabulist points out three of his characters to the children seated about him.

Early on, the representation of Aesop as an ugly slave emerged. The later tradition which