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Pop's early research concerned European neoclassical art of the late eighteenth and early nineteenth centuries as "the aesthetic branch of the Enlightenment." His first book focused on Henry Fuseli (born Heinrich Füßli, 1741-1825), a Swiss artist working in London after a long interval in Rome, who embodied both the era's interest in local cultures and literatures and its cosmopolitanism. Pop called this combination of preoccupations, which adopted a detached relativist view of culture open to feminist,

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