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in a conflict over the correct interpretation of Homer's work, a stalemate exacerbated by the difficulty of communication between the German director, the French screenwriter, and the American producer. Francesca acts as an interpreter, mediating all conversations. When Paul sides with Prokosch against Lang by suggesting that Odysseus left home because of his wife's infidelity, Camille's suspicions of her husband's servility are confirmed. She deliberately allows Paul to find her in Prokosch's embrace, and in the ensuing confrontation, she implies

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