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In its assembly hall hung a reproduction of the painting Wermsdorfer Wald (1859) by Louis-Ferdinand von Rayski, an artist whose grasp of realism was a formative influence on Baselitz. Baselitz also became interested in the writings of Jakob Böhme. By the age of 15, he had already painted portraits, religious subjects, still lifes, and landscapes, some in a futuristic style.

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