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for which he drew some of the earliest examples of storyboards for film, illustrating not only the art design, but the framing, composition and even the color for nearly every shot in the film, greatly influencing the production. He also created matte paintings for all the ceilings for the sets as well as large set pieces like the facade of Tara. He was nominated for the Academy Award for Best Production Design 29 times, winning five.

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