that Salinger worked on seemed greatly improved, with much less distortion than was common in the days before true high fidelity.

However, in Hugh Fordin's The World of Entertainment: The Freed Unit at MGM, a 1975 book dealing with the MGM musicals, composer-conductor Adolph Deutsch, who worked with Salinger on more than one film, criticized his orchestrations for the Jerome Kern 1946 biopic Till the Clouds Roll By