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consisted of a 12-member committee that organized competitions, chose the best entries, commissioned the prevailing artists, and paid for the finished work. Most of them were members of the influential woolen cloth guild, the Arte della Lana. They had plans long before Michelangelo's involvement to commission a series of twelve large sculptures of Old Testament prophets for the twelve spurs, or protrusions, generated by the four diagonal buttresses that helped support

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