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related to the C-G tritone, C6₁. Thus regristral placement is taken into consideration, creating pitches rather than pitch classes. "My reason for stressing this hierchical distinction between C6₁, and C6₄ is that there is a constant shifting of such distinctions, a constant reinterpretation of structural notes as passing notes and vice versa, and it is through this ambiguity, this perpetual change of function, that the composition unfolds. This is what the composition is about".

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