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and other theorists. A. F. C. Kollmann, following Johann Kirnberger, adopted a simpler approach and one closer to that prevalent today, in which Rameau's "supposed" bass is considered the fundamental and the ninth and eleventh are regarded as transient notes inessential to the structure of the chord. Thus F-A-C-E-G-B is considered a seventh chord on F, F-A-C-E, with G and B being nonchord tones added above triadically.In

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