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<p>be designated with a *, indicating that this target is aligned with the stressed syllable.  For example, in the L*+H pitch accent the L target is aligned with the stressed syllable, and it is followed by a trailing H target.</p>

<p>This model of pitch accent structure differs from that of the British School, which described pitch accents in terms of 'configurations' like rising or falling tones.  It also differs from the American <a href="page.php?w=Structuralism">Structuralists'</a> system, in which pitch accents were made up of some combination</p><p>
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