all of her works in a bonfire behind her brother's house. This act of destruction led directly to her association with other types of work and eventually with Fluxus. On the first Fluxus tour in 1962, Knowles began to write event scores, which would quickly become a major aspect of the movement.

After participating in the initial Fluxus Festivals in Europe from 1962 to 1963, Knowles returned to the United States and began making objects, some as Fluxus multiples commissioned by George Maciunas,