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The piece proceeds to outline new tritones, D-G, D-A, and then pauses, in measures 13-14, B-E, which is part of C3, "right back where he had started", however, "the relation between the two tritones of C3₁ becomes not less but more ambiguous". He sees the close of the first section as the attainment of the e-c missing from the E-G of bars 13-17. However, the B which divides G-D require an F, "if we assume that the G-B-D collection represents an incomplete diminished-seventh chord, that the work is based on structural relations derived

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