1.Previous
3.Next

John Peel, who gave the song regular play on his late-night radio show; as a result, the British music press quickly picked up on the song. Adrian Thrills of NME cited it as "the best example of Factory Records to date excellent, melodic, synthesiser pop". He also lauded B-side "Almost", calling it "a doleful, heartsick slab of electronic angst". In a review of 1980 single "Enola Gay", Jonathan

1.Previous
3.Next