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statement at the Puma Gallery in New York in 1944:

Her work is extraordinarily free from inventiveness and from self-consciousness and pretense. One can believe that to an unusual degree her forms and colors well up from a subconsciousness that is richly stored with sensitive impressions received directly from contact with nature, impressions which have been reorganized in figures in which color and form are happily wed.

Sobel listened to music while she painted for inspiration and stimulation. "There

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