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her best film, was assigned to direct. Constance Bennett, a major leading lady of the 1930s whose career was waning, was cast in a supporting role through the efforts of her friend Cukor. The screenplay by S.N. Behrman, Salka Viertel, and George Oppenheimer was based on a 1925 Constance Talmadge silent film titled Her Sister from Paris, which in turn was based on a play by German playwright

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