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Rush's characters were often those of willful women of means or as polished, high-society doyenne. She was occasionally cast as a villainess or femme fatale, such as Marian Stevens in the Rat Pack's 1964 gangster musical Robin and the 7 Hoods. Marian either seduces or attempts to seduce five different men to control the Chicago mobs from behind the scenes. In the 1967 Western drama Hombre, working with Paul Newman again,

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