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painted in 1634 for the Convent of the White Nuns at Louvain in Belgium. The painting was installed in the Chapel in 1968 amid national controversy; this involved the lowering of the Sanctuary floor leading up to the High Altar. It had been believed that gradations were created in 1774 by James Essex, when Essex had in fact lowered the floor by 5 1/2 inches, but at the demolition of these steps, it was found that the floor instead rested on

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