(1924), and 'The Panorama' (1935), 'The Hand of Fatima' (1929), 'The White Dog' (1953), and three 'African Tales' (1968). An essay, 'Aeschylus, Carnival and the Civilised', published in Documents, II.2 (1930) is also available in English translation.

From 1944 on Limbour wrote innumerable essays, catalogue introductions and reviews about art, as well as books on Masson and Dubuffet. In 1943 Limbour took the writer and critic Jean Paulhan to the studio of Jean Dubuffet, whose work was then unknown. This meeting was a decisive moment in