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film's artist or poet; other contributors to a film are merely "apprentices" but not the artist who created "the completed and complex picture". James Agee, a leading film critic of the 1940s, said that "the best films are personal ones, made by forceful directors". Meanwhile, the French critics André Bazin and Roger Leenhardt emphasized that directors vitalize films, and through their choices of lighting, camerawork, staging,

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